Oh, wistful Regina...

Hey. Let's take a break from road tripping for three minutes and 17 seconds to watch Regina Spektor's new music video. The song is called Laughing With and it's off Spektor's new album, Far. 

For more on this lovable songstress and why, if you haven't already enjoyed her music  you should, read my future sister-in-law Leilani's post on Creative Loafing's excellent music blog, Tampa Calling. 

I definitely think you'll like.    

Learning to sit still and write

I learned a long time ago that newspaper stories don't always flow like wordy liquid from the fingertips.

The process is usually ... how I do I put it?

Painful.

As a 16-year-old cub reporter (or as my first editor called me, "a stringer") I would drive home after covering three-hour town board meetings in a rural town where the council members' various concerns included accidental or deliberate manure seepage by farmers driving their tractors up village roads.

I had to summon an army of self-disciplined brain cells to write about this stuff. When I'd return from these meetings, I typically had two days to produce a story, which I understand is a virtual god-send for daily newspaper reporters.

(I've always written for weeklies. I still haven't decided if it's because I'm too slow or too intimidated by the pace. I think it's the latter. Daily newspaper reporters, if they're lucky enough to still have jobs, can't afford to lollygag. I have a good friend who works at a daily newspaper in Southwest Florida, who often returns to the newsroom after beastly city commission meetings, and busts ass on a story until midnight with his editor lurking over his shoulder, insisting he call a source who just a week ago announced at a planning board meeting that all reporters are lousy muckrakers hellbent on manipulating quotes.)

So, yes. I write for weeklies. To motivate myself I often set Reese's Cups beside the computer. For every 300 words written, I get one Reese's Cup. Depending on the length of the story it's possible that I've consumed an entire 8-pack of Reese's in just one afternoon.

It's a motivation/reward system.

Back when I still worked in a newsroom, before I started doing this job from home, I would reward myself with several vodka cranberry cocktails at a bar down the road, where a guy named Nick played Spanish love songs on a small guitar.

The motivation/reward system is precarious. Over the years, I've repeatedly failed to achieve many of my personal deadlines, which means I've plodded back to the kitchen with handfuls of uneaten Reese's, pissed off at my lack of ambition, or even worse, my propensity to procrastinate.

I knew I was a glutton for punishment when my high school newspaper internship turned into a reporter gig that lasted an excruciatingly gratifying three years.

Things I used to do the day after town board meetings to avoid pumping out 500 words on the board's decision to turn down the construction of a telecommunications tower:

1. Walk to the bathroom and put on my mother's red lipstick. Wipe it off with toilet paper. Reapply. Wipe it off again.
2. Perform handstands against my closet door.
3. Call my friend Ro and gossip about nonsense.
4. Eat dinner with my family extra slowly, impersonating a councilwoman whose voice sounded like Lily Tomlin sucking tennis balls through a vacuum cleaner.
5. Tear out useless notes, crumple them into balls and chuck them at my sister Heelya, whom I shared a room with.
6. Sign onto AOL and submit poetry to writers' Web sites.
7. Re-read dogeared pages from Alice in Wonderland and type sentences only the Mad Hatter would say.
8. Hold down the fast-forward button on my hand-held tape recorder, amused by how council members sound less irritating as chipmunks.
9. Do homework.
10. Daydream about becoming a marine biologist.

Ten years later very little has changed, except of course that I've fine-tuned my motivation/reward system.

Yesterday after finishing a story on deadline, I rewarded myself with an Adirondack chair.

When Joe and I first moved into our house, we pedaled our bikes on a cobblestone roundabout, where we passed a small house with one Adirondack chair in the front yard with a sign tacked to it that read: ADIRONDACK CHAIRS FOR SALE. CALL ###.

I made Joe memorize the phone number and when we got home I jotted it down on a piece of cardboard torn from an empty case of Pepsi. I decided when I was ready to jazz up the front yard, I'd call and purchase a proper chair from a craftsman in my neighborhood.

Yesterday, while blundering through a halfway interesting lede for a mostly boring story, I decided to fish through the kitchen junk drawer for the chairmaker's phone number. When I called it, an old guy named Ernie answered in a Long Island accent.

"Hey there," I said. "Do you sell Adirondack chairs?"

"Sure do," he said.

"You make 'em yourself?"

"Yes m'am. I got two right now. One made out of cypress. One made out of cedar."

(When he said cedar, he sounded like seeda. Oh, downstaters!)

"How much you selling them for?"

"Ninety-nine bucks."

"Listen," I said. "I'm on deadline trying to finish a story. As soon as I crank it out, I'll be over."

At 5:30 I headed over with $125. I wanted a table too and Ernie had suggested he had other bits and pieces of furniture for sale.

When I got to his house, eight blocks away from mine, I knocked on his front door and heard a woman say, "Ernie! We have company."

Ernie opened the door, shook my hand, and took me to his back porch, where he told me how he makes his chairs using plans designed by some Bob Vila-type guy on PBS, and how he purchases his wood from a guy who lives in the sticks an hour outside of St. Pete, and how cypress is insect-repellent and how he and his wife are going on a cruise next week through the Panama Canal.

"You know much about the Panama Canal?" Ernie asked.

"Not really," I said.

"Ya know 27,000 men died building the Panama Canal."

"Really?"

"Yellow fever and malaria. They didn't know about mosquitas then."

"27,000 men. Jesus."

"I know," said Ernie, wringing his head. "The French tried to build it in the 1800s, but after so many men died they gave up on it and Teddy Roosevelt stepped in and finished the job."

"Wow, and now we motor up and down it in luxury cruise liners."

Ernie smiled and hoisted a cypress Adirondack chair into my trunk.

"Do you have a little table I can set beside it?" I asked.

"Sure do," he said, pointing to a crude plywood table by his garage with a dusty flower pot on top. "I'll sell it to you for 25 bucks."

"How about $15?"

He paused for a second, reached for the flower pot and said, "Ahh, alright," tying the table to the Adirondack chair with a piece of twine and fastening my trunk shut with a bungee cord.

"Where do you live?" He asked.

"30th and 2nd Street," I said.

"Ah. The center of the universe."

"Yeah!" I said, reaching into my wallet for cash.

"'$114," he said.

I handed him $115 and told him to keep the buck.

He thanked me, tugged on the twine and the bungee cords and declared the rigging safe for at least 10 blocks.

"I tell ya what I do in my Adirondack chair," he said. "I get me a cold drink and I set it on the arm rests, then I lay back with my feet out in front of me and I think to myself, life is great and I've got no complaints."

--
PS. I tried to write this post from the Adirondack chair, but it's too bright in my front yard. Must build porch!

Ani, if you're out there, thank you.

10 reasons why I love Ani DiFranco:

1. Her voice is creamy. Seriously. Like vanilla pudding. It's a beautiful juxtaposition – somewhere between angelic and fierce. If Ani were singing shit about my pug, I'd turn up the volume and sing along. She's that captivating.

2. Her songwriting is AMAZING. I picture her scratching out lyrics between coffee refills in diner booths. Or on the back porch of her home in Buffalo, under an awning, in the rain, making sense of bad relationships, her 20s, her 30s, politics and pollution.

3. She's from Buffalo. My hometown. And without too much preaching, she became the poster child for a steel belt city with a reputation steeped in bad football jokes, blizzards and economic woes. A few years ago she purchased a historic church on the corner of West Tupper and Delaware Avenue, rehabbed it, reopened it as a music venue and called it Babeville.

4. She is 11 years older than me, but it never felt that way. In the mid-1990s, when I first started listening to Ani, newspapers and magazines labeled her militant, angsty, angry, gay, bisexual, feminist, rocker grrrl, younameit. As a teenager, I couldn't think of a better chick to idolize. She was complex; a Rubik's cube of sexual identity, with song lyrics like poems, marked by peaks and valleys in an emotional landscape not unlike the one I pounded. Britney Spears and I are the same age. (Arrggh! It's true!) Yet it was Ani I latched onto like a long-distance pen pal. (Ani and Jewel to be exact.) From my bedroom in the middle of nowhere, with its pink walls and quilted bunk bed blankets, I spent my nights alternating between Ani and Jewel, a cross-pollination of a fan. Romantic and wispy. Pent-up and pissy.

5. She can fingerpick a hoedown beat like nobody's business. Ani could pluck a love song using her guitar strings to clean out the grit from under her fingernails. She's that fast and that good.

6. She's a journalist's wet dream. She's funny, disarming and ridiculously quotable. ("Some people wear their heart up on their sleeve. I wear mine underneath my right pant leg, strapped to my boot.") Even her terseness is eloquent. ("My songs are just little letters to me.")

7. She's a stubborn success story. Ani has repeatedly turned down baller contracts with major record companies. She formed Righteous Records in 1989 with Dale Anderson, a writer from The Buffalo News, and renamed the company Righteous Babe Records in 1994 after she and Anderson parted ways. The company now produces a growing list of emerging artists – Andrew Bird, Bitch and Animal, Arto Lindsay, Sara Lee and Hammell on Trial to name a few.

8. Her song, Angry Anymore, was my anthem for years. Listen to it. It's cathartic.

9. Fuck you at the start of a refrain never sounded so pretty or so appropriate. Untouchable Face is a lyrical feat of genius.

10. She is finally happy, and I'm happy for her.

--

PS. Joe took me to the Tampa Theatre last night to see Ani. The tickets were a Christmas present. (Thank you, Joe!) I cried tears of happiness during the show. It was dark, so no one saw.


***

A little ditty about wedding songs

I had a wedding song before I met Joe.

It was a ditty by a girl on a guitar. Burned onto a mixed CD given to me by my old friend Sarah, whose imaginary cowboy this blog is named after.

I wasn't even sure who sang the song, or what it was titled, until my friend Ricci and I listened to it on repeat one afternoon in my Sarasota cracker shack, and Ricci went home, Googled the lyrics and discovered it was by Rosie Thomas and that the title was Wedding Day.

So much for love

Guess I've been wrong

But it's all right

Cuz I'm moving on

I've got my car all packed with cassette tapes
And sweaters and loose change and cheap cigarettes

The lyrics were neither romantic, nor bitter, somewhere in between Jewel and Alanis Morissette, which suited me just fine from 2005 to 2007.

I was single then. Somewhere in between grounded and orbiting space.

Working in a marble yard. Trying to write a novel. Living in a 1920s bungalow with exposed rafters and no air conditioning. No television. No wireless Internet. Just a black laptop computer that no longer held a charge, that was given to me by my best friend Ro in exchange for one roundtrip airplane ticket from Buffalo to Tampa.

It had been her computer when she was in college. My friend Troy called it my Carrie Bradshaw laptop. Having never seen Sex and the City, I had no idea Carrie Bradshaw had a laptop, much less the fact that it was, according to Troy, a big black one with loud keys.

But I thought it was pretty rad that when I was single I owned a Sex and the City prop, a chic accessory for a girl from the sticks.

I'm gonna drive through the hills
With my hand out the window
And sing 'til I run out of words
I'm gonna stop at every truck stop
Make small talk with waiters and truck driving men
I'm gonna fall asleep in the back seat
With no one around but me and my friends
It's gonna be so grand
It's gonna be just like my wedding day

Ricci and I hung on every word of that song. Blasted it when we'd drive from my bungalow to the public pool to swim laps. Loved that we didn't need boyfriends to have a wedding song. Loved that the lyrics evoked a sense of bliss some girls only experienced on their wedding days.

I'm gonna stop at every bar
and flirt with the cowboys in front of their girlfriends

Obviously, eventually, we got boyfriends.

Consequently, but not on purpose, we stopped listening to Wedding Day. It wasn't that we were making egg souffle for our boyfriends while whistling Dixie. It's just that in general, we spent a little less time together, a little less time driving to the pool to swim laps, a little less time pedaling our bikes, a little less time thinking this song would be our one and only wedding song.

I've had enough of love
It feels good to give up
So good to be good to myself
I'm gonna get on the highway with no destination
And plenty of vision in mind
And I'm gonna drive to the ocean
Go skinny dipping
Blow kisses to venus and mars

When Joe and I got engaged this fall, we didn't start discussing wedding details until months after the Question Had Been Popped. When we got on the subject of wedding songs it seemed neither of us had any one song in mind, so I suggested Etta James' At Last, not realizing Beyonce had recorded a version of it for her role in Cadillac Records, also not realizing the Obamas would dance to it five million times the night of the inauguration.

Recently, I interviewed Bobby Vinton, the 1960s crooner responsible for such wicked ballads as, Blue Velvet, Roses are Red (My Love), I Love How You Love Me, Mr. Lonely, and the 1970s Polish love polka, My Melody of Love.

I did my fair share of Internet research before meeting Vinton, downloading corky love songs my Nana probably loves, leaving Joe voice mail messages to the tune of Blue Velvet. The innocent schmaltz had kind of grown on me – and not in an ironic hipster way.

I started thinking: what kind of love song best describes me and Joe, the couple?

After I left my sunglasses at Bobby Vinton's beach estate, I figured we had to go with a Vinton ballad. It lends itself to a good story and I'll be damned if I pass up a good story, even if I have to dance to a Polish love polka on my wedding night. Besides, Joe digs the fact that Ray Liotta and Lorraine Bracco dance to Roses are Red in Goodfellas.

I'm gonna drive under skyline and sunshine
Drink good wine in vineyards
And get asked to dance
I'm gonna be carefree and let nothing pass me by
Never ever again

This song was my wedding song when I was single. It was appropriate. I could relate to it. I could belt it out in cars. I could be single to it.

What I need now is a song I can be married to.

--

PS. The picture was taken in the first two months of our relationship. We were staying at a hotel in Fort Lauderdale and we had just gotten out of bed. I remember thinking at the moment, I'm happy just watching this man put his contacts in.

PPS. For more on Rosie Thomas.

My favorite things are so much better than Oprah's.

Favorite sad love scene: Faubourg Saint-Denis from the movie Paris, je t'aime

Favorite ice cream: Dippin' Dots

Favorite lighting: Strings of fat white bulbs like those in Olive Garden

Favorite Canuck band: The Arcade Fire

Favorite Hollywood dog relationship: Adam Sandler & Meatball

Favorite imported coffee: Timmy Ho's

Favorite radio show host with a pleasing voice: Howard Stern

Favorite radio show host with a grating voice: NPR's Ira Glass from This American Life

Favorite Tampa Bay news anchor to wake up to: Ginger Gadsden

Favorite inappropriate T-shirt that I own: I ♥ Camel Toe